The problem is true ARTISAN timepieces by Rexhepi...... Théo Auffret Hazemann & Monnin Rémy Cools Vincent Deprez Simon Brette Petermann Bedat Sylvain Pinaud Dann Phimphrachanh Kari Voutilainen Julien Tixier Raul Pages Hervé Schlüchter Etc Etc Etc ... ...a
I'm hungry for more but can't find enough of these round, hand-finished, smallish watch to acquire. They are always sold out before the official release and the subsequent releases typically take a few years to come in. Can't wait to see new Simon Brette,
and continue to get Rolex and independents from them including Roger Smith and Krayon. I also buy direct from Simon Brette, Kari Voutilainen, Sylvain Pinaud, Dann Phimphrachanh and Petermann Bedat. I don't see them as mutually exclusive. I think it's a go
and another talented duo I could think of are Petermann Bedat. We can clearly see Lange's influence across KC001.1, with the exception that the Kallinich Claeys is hand-finished to a much higher level. Credits to them all their watches have been sold and
The First Time I ever noticed this unique finishing was on the Jean Baptiste Viot Chronomètre à Paris Source: Hodinkee "Charbonnage" is a traditional Parisian watchmaking finishing technique that involves using a block of charcoal and oil (or sometimes 9-
But for example Akrivia AKs and Berneron rely on third party movements Sylvain - simple module on top of unitas movement Similar with Petermann Bedat , base Valjoux 13 The most impressive watch on the list with movement developed in house is Krayon anywhe
Akrivia AKs, Krayon Everywhere and Anywhere, Sylvain Pinaud monopusher chronograph, Petermann Bedat 2941 and 1967, Renaud Tixier DRT Tempus Fugit and Monday, Dann Phimphrachanh Seconde Vive, Remy Cools Souscription Tourbillon and Tourbillon Atelier, Theo
doesn’t speak to me at all, unfortunately. What do you think about the 1941 Grönograaf ? Aesthetically it speaks to me more. The Petermann Bédat ref. 2941 Monopusher Split Second is quite nice too. But I’ve seen none of these watches in person. Best, Emma