Lépine
1318
Low Resolution image
I went through so many cues today...this is a photo from a long time ago, the Bobby Pin was on one of these two. You can also see from the wall all cues from the beginning 1963/4 that TADs have always been solid uncored cues. One thing that is on a Taiwanese website and probably propagated everywhere is that TAD learned cuemake from Harvey Martin...yes and no. TAD started building cues before buying out Harvey Martin's shop. The number stampings came from Harvey Martin cue tools shop which was purchased before August 1978. Tad had been making cues for over ten years by then and had already established the look and feel for a TAD. Mosconi and the other West Coast professional's feedback was more of an impact in that first decade of "trial and error".
This is the wall of history, one of the world's best collections of historical pre-1978 TADs. All are ultra rare unfinished cues. "There Is No Logic In Opera" -- Maria Calas. Well there is no logic in some collections, they just exist. It's history preserved for some future generations.

I think it was the one on the right has the Bobby Pin. The one on left was definitely the rarest wood cue TAD ever built...It's a "prototype" one of a kind made of a material that looks exactly like wood, but it's more like Dymondwood. Synthetic wood. It's purpose was for evaluating the material for cutting, play feel, durability, visual appeal. It failed because it's too heavy requiring boring out the center which would have been too difficult and would not sound like a TAD.

I love TAD cues!
By: Lépine : January 22nd, 2026-20:46
I think TAD cues are among the best I have ever played with. I currently have four and I am now looking for a fifth! It's funny that Willie Mosconi gave so much feedback to TAD about how to make the ideal cue play and yet Mosconi is not well known to have...
From the looks of that cue
By: Lépine : January 22nd, 2026-21:00
It certainly may have not quite gotten to the level of the later 1970s TADs which are famous and highly sought after. Any pre-serial number fancy TAD is really hard to separate from their owners. They are rare and a bit more musical yet more forgiving tha...
By: Lépine : January 23rd, 2026-04:17
That is a classic birdseye maple TAD M-1 , this is what TAD himself said was the best of his playing cues. I have a one of a kind variant with a Pink Ivory butt sleeve and also a Goncalo Alves Big Pin rare variant. But you have the best playing cue model ...
Both made in 1969
By: Lépine : January 24th, 2026-14:51
Interesting how different they look and only months apart. One is crooked and has fat cuts into the inlays with lots of cracks. This is unusual too to see a TAD inlay filling in gaps with black glue. Normally TAD cut the wood so precisely the inlay fits l...
Low Resolution image
By: Lépine : January 26th, 2026-11:44
I went through so many cues today...this is a photo from a long time ago, the Bobby Pin was on one of these two. You can also see from the wall all cues from the beginning 1963/4 that TADs have always been solid uncored cues. One thing that is on a Taiwan...
Hard to tell but seems to be
By: Lépine : March 15th, 2026-18:56
the much more common for other cuemakers, Goncalo Alves wood. The colors make it look like the nearly impossible to get BRW. My understanding is that as GA oxidizes over the decades, it can look a lot like Indian Rosewood. I have spotted 3 cues that are e...