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Photography

Great cinematography...

 

Michael Mann DNA abounds in this movie.  That classic Mann cinematography, his love of fancy cars (he's a car lover), the perfect slightly shadowy lighting he uses for his night scenes, and those slightly unsteady hand-held camera shots that frame an actor's or actress' face perfectly.  The Mann DNA is strong with this one.  It wasn't a perfect movie.  But it was an often beautifully shot movie.

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