Sure don't make 'em like they used to. Been looking for a vintage Movado Celestograf for a few years now and when I saw this one mentioned by the guys at Hairspring I had to have it:

For
those who are interested, some more information:
"When
watch enthusiasts say vintage Movado, they’re usually picturing an M90 series
chronograph. But that’s not even close to where it ends. This Celestrograf is
as complicated as vintage Movado gets and it’s about as lovely a complete
calendar as has even been created. This is from the mid-40s, 18k gold, and has
some of the best lugs ever to grace a case. More though, it has a dial with
Breguet numerals. As we all know, Breguet numerals make everything better. It’s
like the second cheapest wine, it’s simply always the best choice and never the
wrong move.
Following
the M90 series chronographs, Movado introduced a complete or ‘triple’ calendar
in 1938, the Calendograf. That complication proved so successful that in 1947
Moavdo doubled down and added a moonphase to create this Celestograf (or
Astrograf for the American market). The case was carried over from the
Calendograf, which was no bad thing. Just look at these lugs. If you didn’t
know, Movado the word is Esperanto for ‘always in motion’; these lugs look full
of motion standing still. Now, most Celestografs were made by one of the
greatest casemakers ever: François Borgel (Taubert & Fils). Most of these
you’ll find which are precious are in 14k gold, but this example was for the
French market and made in 18k. Likely to avoid gold import tariffs, these cases
were made in France.
This
is one of those vintage watches that you can’t learn about and not love. The
dial is immensely charming, not even to mention the Fab Suisse and French
discs. The number of surviving examples and market for these are both tiny.
There are no definite numbers, but given the frequency that examples of this
quality are presented with (none whatsoever), I’d estimate there are probably
fewer than 20 examples with dials of this level of condition circulating
between enthusiasts. And yet, it’s not even close to Padellone or Killy values.
It’s complication for the people, but those people with a discerning eye for
beauty."