DonCorson[AHCI]
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On-Wrist Watch Review - Louis Moinet Tempograph 20 seconds
Louis Moinet is a small Swiss brand making about 500 watches a year. Their namesake, Louis Moinet, was a watchmaker, sculptor and painter whose timepieces were bought by Napoléon Bonaparte. He was the first watchmaker to make a 'chronoscope' (time looker) that indicated elapsed time intervals, that being in 1815 with his "Compteur de Tierces". It preceded the chronograph (time writer) invented by Nicolas Rieussec in 1821 that marked time intervals with ink spots. (I guess all todays chronographs should be called chronoscopes as they don't write, but show. Let's not go into that today, however, but keep our eyes on the watches.) Modern Louis Moinet watches have a generally opulent design that focuses on their watchmaking content. Their design is by Louis Moinet with the watch production by Swiss subcontractors. The Tempograph, for example, is produced by Concepto in La Chaux-de-Fonds.
I recently had the pleasure to wear a Louis Moinet Tempograph 20 Seconds
for a month and report herewith my impressions and experiences.
Louis Moinet Tempograph 20
seconds
First
general impressions: The watch in a looker... everyone notices. The
open worked dial with contrasting brushed surfaces and polished bevels
stands out. It really flashes in sunlight. With a closer look, one can
see a large portion of the mechanics of the watch through the dial,
including the entire retrograde seconds mechanism. Watch out if there
are any watchmakers in your vicinity. They will rip it off of your
wrist and magically produce magnifiers from their secret pockets, with
which, they will inspect and say in their naturally undertoned manner:
"not bad at all". When you tell them the Tempograph is the entry level
model from Louis Moinet and the price of the watch the "not bad" changes
to "excellent".
The dial is a watch's face and its expression is
the basis of every watch's appeal. The dial of the Tempograph is
particularly intriguing. It is open worked, but not overly busy as in
most skeletonised watches. One sees great finishing, constant animation
and deep into the mechanics of the watch. There is no question of the
retrograde mechanism being just a module plopped onto an otherwise
standard movement. It is obvious that this movemement was made to show
off. The time display comes off like a sub-dial, but I never had
problems reading the time and at night the "dew drop" hands with their
drop of luminova are still readable. The bezel is adorned with "clou de
Paris" guilloché which adds to the glowing impression of the dial.
Not
to be forgotten on the dial is the retrograde seconds indication. One
can admire the entire mechanism and this adds continuous animation to
the dial. The seconds hand falls back every 20 seconds and an small
open worked wheel with 3 colored sectors indicates the portion of the
minute. This 20-second indication has its risks. It is frequent enough
that one is willing to wait to see the retrograde action. The time
goes by... again and again.
The watch had a titanium case which
kept it light and easily wearable. Louis Moinet has been working on
their cases and the newer models are less opulent than some of the early
models. They are developing in the right direction. Although the case
can't be considered small, at 44mm in diameter and 16mm thick, it is
much more substantial than what I am used to; but at no time did it seem
too large. The crown with the Louis Moinet lilly-flower logo has a lot
of grip and is easy to use. Actually I never had to use it, the
timekeeping was so good, with less than one minute of advance during the
month that I wore it; and the automatic winding good enough that even
if I didn't wear the watch for a day, it was still running and on time
the following day. Note that the automatic mechanism used is of the
so-called 'Pelleton type' with two pawls mounted on a rocking platform.
This type of automatic mechanism is not often seen.
The strap is
of an excellent quality, hand sewn Louisiana alligator leather both on
the outer surface and lining. My only slight criticism is about the
deployant clasp. The strap is held using a normal pin like a pin-buckle
clasp on one end. This makes it easy to adjust, but it also easily
opens when one is closing the deployant. It took me a while to find the
right manner of closing the deployant to eliminate this risk of the pin
disengaging at the wrong time.
All in all, a fun watch that
really gets noticed with much satisfying holological content. I would
like to thank Mr. Jean-Marie Schaller, owner of Louis Moinet Watches,
for giving me the opportunity to choose a watch from his collection and
wear it for a month.
A picture a day, one month with the Louis Moinet Tempograph:
Day 1: On the way to work
Day 2: Inspection
Day 3: From the back
Day 4: Orchestra rehearsal
Day 5: Close up
Day 6: Taking a break
Day 7:
Day 8: At the yearly bicycle market
Day 9:
Day 10:
Day 11:
Day 12:
Day 13: Out for a ride
Day 14: Looking good
Day 15:
Day 17: Out to eat at the Landgasthof Schwanen, Bad Bellingen, DE
Day 18:
Day 19:
Day 20:
Day 21: Another watchmaker
Day 22: Morning at the market place
Day 23: Out to eat at the restaurant "La Table de Mary", Chesaux-Noreaz, CH
Day 24:
Day 25: In good company
Day 26: Crossing the river Rhine on the pedestrian bridge between Weil am Rhein, Germany and Huningue, France
Day 27: Out to eat at the restaurant "Autour de la Table", Huningue, FR
Day 28: City at night
Day 29: Spring is (finally) here!
Day 30: The dress rehearsal of the Orchestre d'Yverdon is starting in a minute or two. We're playing Mozart (Clarinet Concerto with soloist) , J.-C.-Bach, Rossini. Concert tomorrow.
Day 31: Mirrored
Day 32: Out to eat by Stefan Wiesner "Gasthof Rössli", Escholzmatt, CH
This message has been edited by DonCorson on 2016-05-19 13:00:36
This message has been edited by MTF on 2016-05-19 15:41:00