My technique for digital color to b&w conversion YMMV...

Jan 03, 2020,00:58 AM
 

As with all post processing the results are individual interpretations, there is no "correct rendering" for b&w conversions...

In the below example I am using Silkypix, and while the application details / tools will be different, most post processing applications will work in varying degrees toward achieving the desired results.  There are also stand alone applications for digital b&w conversion.  I scan my monochrome film to TIF files... after which some of the below steps can also be used.

There are as many conversion techniques as there are photographers... below is just one approach.

01) Convert the Image to Black-and-White by setting the "saturation" to zero.

02) The Tone Parameter - Adjust the contrast to darken the blacks and bring up the whites.  Silkypix has a general and mid-tone contrast setting.  Use both if your application has them.

03) Darken the edges - Adjust peripheral illumination.  Works best if you compose to have the brightest part of the image in the center. Manually add a little "vignetting" for effect.

04) The Fine Color Control Parameter - Darken the sky.  If your application allows, darken the blues to match the effect of film.

05) The White Balance Adjustment - bring all adjustments into line.  With the White balance adjustment circle, drag the point into the red area... play around with this adjustment to find what works best for your image...  It helps if originally shot in RAW, but TIFF and other file formats can benefit from this step.

06) The Gamma Histogram - enhancing details in the shadow area.  The heavy contrast setting (step 02) may produce an image that is very dark.  Play with the overall brightness of the image using the gamma adjustment... watch the histogram not to overdue this adjustment.

Below is a quick conversion of an average wooded scene...




Before




After

Thanks to "horology8" for inspiring this post...
Casey

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Just for fun... next time try 1-2-5

 
 By: cshimokita : January 3rd, 2020-01:38
in moderation... ; )

I will! [nt]

 
 By: amanico : January 3rd, 2020-01:40

Interesting read

 
 By: Jurry : January 3rd, 2020-01:07
May I reciprocate by sharing what the impact is on me as the average viewer of the conversion result? The original photo gives me the impression of an autumn afternoon with the bleak sunlight as it can be right after small rainstorm. I can see a young fam... 

Absolutely...

 
 By: cshimokita : January 3rd, 2020-02:02
subject matter aside, different versions are subject to different interpretations... and just for fun a saturated, contrast-ie, color variation ; ) ...  

Superbly done [nt]

 
 By: Quan : January 3rd, 2020-05:14

Thanks John...

 
 By: cshimokita : January 3rd, 2020-08:15
even more is possible after the b&w conversion... see Blansky's comments below ; ) Casey

I think your technique is fine and as you say there are a lot of ways of doing the conversion bit I would respectfully add...

 
 By: Blansky : January 3rd, 2020-07:49
that since the original image is slightly problematic in that the sky in the top middle is flared and blown out, that it creates more work due to the fact that your eye is drawn upwards, and out of the picture. I did A LOT of burning and dodging in the da... 

Correct...

 
 By: cshimokita : January 3rd, 2020-08:05
and excellent points... in the original I should have waited until the train passed and avoided that reflection off the first carriage. Casey

Absolutely... agree.

 
 By: cshimokita : January 3rd, 2020-09:26
[nt]

Thanks for deep thought

 
 By: Quan : January 3rd, 2020-22:07
to enlighten us