cshimokita[Photo Forum Moderator]
10714
A brief introduction to three pictorialists... (viewer discretion)
Dec 29, 2020,17:50 PM
One theory puts forth the idea that different styles and movements in photography continue to co-exist and never completely disappear...maybe somewhat differently from other artistic adventures.
Pictorialism (and there is no standard definition of the term) thrived from about 1885 to 1915, although you can still find contemporary examples... the root was a knee-jerk reaction to the commonly held thought that photograph was nothing more than a record of reality... it was the old discussion regarding photography as an art form.
Pictorialism refers to an approach where in the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
Oscar Gustav Rejlander : (1813 – 1875) was a Victorian art photographer and an expert in photomontage. One of his most famous and controversial photographs was "The Two Ways of Life" (1857). In Scotland the photo led to a secession of a large group from the Photographic Society of Scotland after they objected to the picture being shown with one half of it concealed by drapes.
"The Two Ways of Life" by Oscar Gustav Rejlander
Henry Peach Robinson : (1830 – 1901) was an English pictorialist photographer best known for his pioneering combination printing - joining multiple negatives or prints to form a single image; an early example of photomontage. He was one of the most prominent art photographers of his day. His third and the most famous composite picture, "Fading Away" (1858) was both popular and fashionably morbid.
"Fading Away" by Henry Peach Robinson
Robert Demarchy : (1859–1936) was a French Pictorial photographer of the late 19th and early 20th century, best known for his intensely manipulated prints that display a distinct painterly quality. His only artistic endeavor for the rest of his life was driving his classic car to the beach where he made sketches of heavy-set women swimmers in the water. Note: the following is a photograph...
"Speed" by Robert Demarchy
In the period between the wars photographic Modernism came into vogue, and the public's interest shifted to sharply focused images.
Thanks for looking,
Casey
Note: The thumbnail photo is "A night on the streets of London" (1857) by Oscar Gustav Rejlander
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