Three years of planning, several visits to watch boutiques for a ‘test drive’, pleasant get-togethers with other owners and a lot of thought and research and I finally have a yellow gold, manual wind La Tradition 7027BA/11/9V6 (Cal. 507DR) on my wrist. A watch that is now well known to you and far from the ‘new kid on the block’, but I always take my time making long term commitments and I enjoy the ‘journey’ as much as the destination.
While I can’t add much to the photographic record on the La Tradition already amassed on this Forum, I thought I would give you my perspective and thoughts on this important watch in the Breguet family.
One of the main pleasures I get from horology is to be able to gaze at and appreciate movements. I enjoy the Reverso Grand Date because I can flip it over to view the movement; however it is inconvenient to quickly tell the time. The La Tradition allows me an uninterrupted view of its very three-dimensional movement through the large antireflective crystal; it is wonderful to see the oscillating 10mm balance wheel peeking out from under a French cuff. The ‘flow’ of power from the central barrel through the going train to the in-line lever escapement is logically laid out for one to contemplate. Those who enjoy the aural side of mechanical watches will not be disappointed either, as there is a clearly audible ticking sound apparent as I type this at my desk (the La Tradition beats at 21,600 vph – 3Hz).
I love the history of horology. I realise that the Breguet company history is rather patchy in places, but who can argue with the name of this masterful Swiss-borne French horologist. The La Tradition channels many of the design features that are so emblematic of A.-L. Breguet’s work: the layout of the stepped bridges, the central main spring, the frosted guilt finish (apparently sandblasted by hand) and the yellow gold case. Not to mention the modern update on the parachute, the overcoiled hairspring, the deeply heat-blued screws, the engine turned guilloche dial and the soldered lugs.
There is enough variety of surfaces, textures and colours from frosting to polished screws to blued hands to red rubies (all 34 of them) to keep your eyes entertained for hours. The hand turned dial contrasts very well with the gold of the watch. As an aside, some have questioned the readability of this 14mm silvered sub-dial, but given the colour contrast with the blued Breguet hands, it is actually very easy at a glance to tell the time from the position of the hands. I wish Breguet had been able to fit a secret signature somewhere on this dial, but the watches individual number is included in a cartouche in the typical Breguet style.
The La Tradition changes its character under different lighting conditions; something that is apparent if you look back through the archive of images posted here and elsewhere. Breguet watches have a rich lustre which is also present on this unusually coloured gold, chosen to match the colour of the alloy used for early Breguet timepieces. Natural light at sunrise and sunset and candlelight (particularly with your favourite partner!) really accentuates this inner warmth and glow.
The La Tradition has a 50 hour power reserve with a subtle but useful power reserve indicator on the front and reverse. The winding is not buttery smooth, but is precise and confidence inspiring with its well proportioned signed crown. The accuracy of the La Tradition is perhaps less easy to determine due to the absence of a second hand, but using a magnifying loupe and the peripheral minute markers around the dial, the watch was accurate to within 10 seconds over a 14 day period of daily winding and continuous use. The large free-sprung balance wheel and the Breguet overcoil no doubt contribute to this excellent performance.
Did I mention the beautiful 37x11.8mm case? Breguet may have been known for their thin and elegant movements and watches, but I love the size and proportion of this case with its traditional cold-rolled fluted sides. Personally I wouldn’t want the La Tradition to be any bigger. The strait lugs and the ‘wall-to-wall’ crystal make this watch wear quite large on the wrist. The brown crocodile strap beautifully accentuates the gold and the buckle is simple and elegant. The band is rather rigid from new and nowhere near as supple or comfortable as, say, a Journe band, but it softens with time and wears well.
I realise that the La Tradition is a rather polarising watch and not everyone loves the design, but you have to admit that it is hard to mistake it for anything else. Perhaps not as versatile as some, but one can wear the La Tradition as a distinctive dress watch to the opera or equally well in an office environment.
Do I sound like I am in love? The answer is probably yes. The La Tradition is a beautiful study in French watchmaking tradition, re-invented by the Swiss, the birthplace of Abraham-Louise Breguet himself.
My apologies for the long essay; I hope this information will be helpful for others considering making a commitment to this watch.
Enjoy the journey.
Andrew









Hi Ed,
Thanks for your kind comments.
Some people seem to see the YG La Tradition as rather flashy. I tend to so see a warm richness, which you managed to capture in your avatar and which I tried to show in my pictures. Wearing it with dark colours, particularly black, really brings this out.
Regards
Andrew

Hi Bill,
While clearly not a casual watch, I find that the La Tradition goes quite comfortably with a variety of business and formal outfits. We are heading off to hear the Melbourne Symphony Orchestra this weekend and I will certainly be giving it an outing to the Concert Hall. The Opera strikes me as another natural haunt of the La Tradition…
Regards
Andrew
Hi Aaron,
Thanks for the image. I think I need to relax my definitions of casual and dress watches a bit. I tend to grab the Speedy Pro or a Pilot watch for weekends, but I will certainly allow the Breguet to let its hair down a bit!
Andrew
Thanks Christian,
Good to hear that you are getting so much pleasure from your La Tradition – that was obvious in the photos you shared here as well.
I am not one for ‘flashy’ watches, and the La Tradition is rather more subdued and ‘traditional’ than one might first think.
Andrew
and yes this was one enjoyable ride thnx
Damian
describes the exact situation I find myself in with the La Tradition...
I hope to have wrist shots of my own someday.
Cheers, Mike
Dear Nicolas
I appreciate your kind comments. I know you are drawn to the La Tradition as well. The French connection with Breguet must also be a point of nationalistic pride.
Interestingly it was the existence of the WG La Tradition that slowed down my purchase of this watch. Around 12 months ago I walked into an AD with money in pocket for the YG La Tradition. I tried on the WG version just for ‘fun’ and that’s where the difficulty started. I have said before how different these two versions are, and I love them both for different reasons.
My final decision to go with the YG was more an intellectual one, based on its faithfulness to A.-L. Breguet’s original colour palette.
Agonizing over the colour was part of the ‘journey’ I described, and is what makes the final purchase more special.
Regards
Andrew
Personally, I can't differentiate between a wheel or a barrel or a parachute....but I can tell you IMO, this is one of the most beautiful watches ever made.
Wear in good health!
palmasea
Hi Palmasea,
The La tradition appeals on so many levels:
Intellectually one can learn about the basic building blocks of a mechanical watch.
On an emotional level you can respond to the aesthetics of the design and finish.
... and because modern horology is built on such an important historical foundation, it's nice to be reminded of A.-L. Breguet's contribution.
Regards
Andrew
You hit it right on the nose...for someone like me, who is more into esthetics and comfort, having a tremendously well built mechanism hidden inside of a watch, does not excite me that much...i.e. the only Patek's that excite me are the one's I really find I'm emotionally attracted to such as the Nautilus line or the 5070 or 5960. But even then, it's hard to justify the price because you are not seeing the movement, and for all practical purposes, the watch keeping precision is not a factor...
So by having the movement shown, the buyer can better appreciate what he or she is really paying for, and like you say, learn more about the workings and complications of a mechanical timepiece.
Every time I go to a watch store I always stare at the tradition, eventhough I don't really identify with the brand in general.
What has always steered me away from this watch is 1) I'm always dressed in casual jeans, and 2) like you mentioned, I was afraid that telling time was not going to be easy. But after your review, I believe I'm going to be spending even more time staring at that breguet case.
Enjoy your watch, and drive carefully, because I believe you are going to be staring at it all day and night!
Palmasea
Hi Palmasea,
There are sometimes discussions on PuristS about the pros and cons of display backs. I have some antimagnetic watches as well as ‘tool’ (predominantly pilot’s) watches and some vintage pieces with solid backs. I can understand why these pieces have solid backs and appreciate them for the attributes that you mention: case and dial design, comfort, ruggedness etc.
However, it was the mechanical movements that first attracted me to mechanical watches; otherwise I might as well buy quartz (please pass the soap…). So I like to be able to see what attracts me.
Apart from some Audemars Piguet and Daniel Roth watches, most skeletonised movements do not provide the necessary level of finesse to keep me happy. As I mentioned, I like JLC Reversos with display backs (or is that display fronts?) for the very reason that I can have the movement on display, but time telling is less convenient.
Then along came the La Tradition which seemed to be the answer to my prayers; a watch that ticked (?tocked) all the important horological boxes for me: history, design, finish, size and the movement was there to enjoy.
Apart from the Marine 5817 and the Classique 3137 I am not overly drawn to other Breguet’s. Even for tourbillons, despite the historical connection, I would be knocking at the house of Journe, not Breguet. However, the La Tradition has a special place; despite channelling everything that Breguet represents, the watch itself seems to transcend the brand itself.
If you promise to keep staring at the La Tradition, I will try and keep my eyes on the road.
Kindest regards,
Andrew
Hi Graham,
Thanks for your note. It would be great to see the YG La Tradition side by side with your UN Freak one day. I may be going mad, but I actually see quite a number of similarities between these two watches, albeit at opposite ends of the same spectrum. The warmth of colour in the Freak is also something I appreciate in the La Tradition.
Regards
Andrew
Thanks Tassos,
I enjoyed coming along on your journey with the purchase of the 5817 Marine (and that lovely perpetual), so I am glad you enjoyed mine.
We don’t seem to have any Purists that post here on the automatic 7037, so I would be very happy if you added that watch to our family here. While my preference is for the open spaces of the 7027 manual wind watch, as you point out the automatic is true to A.-L. Breguet’s design. The case diameter is 38mm versus 37mm, and I have not compared them side by side, so that would be interesting.
I remember CL writing some time ago about the negative connotations, at least in Asia, of the downward pointing power reserve indicator on the F.P.Journe dead second tourbillon. I would have thought that the retrograde second hand may have appealed more because of its location. However, it is this retrograde seconds that I find least attractive. This way of time telling is not my favourite indication; I have no other retrograde watches so it is probably just my bias, but on the La Tradition it strikes me as a bit flimsy and toy-like. Others may have more comments.
You have probably noticed that the balance wheel is stopped when the crown is pulled for time setting on the La Tradition. This has little real value in the two-hand 7027, but may be useful in the 7037 or for other future complications.
I don’t think you should be concerned about being unfaithful to the 5817. You will love it even more when it is off your wrist occasionally!
Regards
Andrew
Greatly enjoyed your carefully chosen and finely turned phrases Andrew, all of which conveyed the full gamut of your experience from trepidation through to exhilaration. Furthermore, those photos really are top notch - no more self-deprecation!
Delighted to see that you 'landed' a piece long on your radar - enjoy for many years to come.
Cheers,
pplater.
Hello my friend.
I appreciate your kind comments.
However, I think it is the watch itself, rather than my photographic skills that make the images look good! Still, the La Tradition did inspire me to try a little harder and there are certainly plenty of different aspects to this watch to photograph.
Finally though it is the whole that is more than the sum of the parts and the La Tradition just brings it all together for me.
Regards
Andrew
your story. La Tradition is such a beautiful watch. IMHO, a must-have for Breguet fans. Though I still prefer the white gold version, the dark blue croc strap goes very well with the blued screws.
Regards,
Vince
Hi Andrew....you said you would & you did...congratulations..and what you did not say was that you are quiet a photographer and writer.
It is good to see someone who is passionate about their desires...procrastonates...assess and does.
The accuracy assesment also looks excellent...My total congratulations to you on a watch that is beautiful and will possibly ho\ld a very unique standing in years to come.
Kindest regards,
Jack