Rosneathian
1471
Please update us on progress.
May 11, 2021,02:19 AM
My own selections are based on a combination of availability and personal taste. They may or may not overlap with references currently available at auction or on sales platforms...
No matter. I've been able to reconstruct much of the catalogue in chronological order from 1989 to 2011 (neither THG nor Bvlgari could provide these when I spoke with them). This ordering is far from complete but it's allowed me to appreciate elements of each phase on its own terms.
The general consensus appears to be that those first few years - 1989-1994 - set a magically high water mark. Indeed they do. Daniel Roth (the man) only designed and made about ten watches types, and most of these were in those first few years. At the same time there were some fine moments from the periods 1995-2000, when he was less involved, and 2001-2011, when of course he wasn't involved at all.
Interviews in Europa Star with THG's Tay family during the mid-1990s show how high their appreciation and ambition were. Circumstances, as we know, got in the way and this showed in the watches that emerged during this period. Many lacked the balance, symmetry and use of precious metals that were Daniel Roth's leitmotifs.
Bvlgari was less than charitable about some of the output that preceded its ownership. They had a point even if they were being less than graceful to say so in print. With the benefit of hindsight we can also see the aesthetic drift creep into Bvlgari's own releases.
The bottom line is that it was the prerogative of both sets of owners to take their company in directions they saw fit. Sometimes it worked. At others, less so.
What's clear is that Daniel Roth (the man) couldn't wait to escape from all of this. FIHH Journal interviewed him in 2019, and the following remarks were attributed to him:
βI heard it all at Bulgari. The production manager was clearly set on getting rid of me, and I obviously had no intention of carrying on working in those conditions. I had a one-year fixed term contract and as soon as the twelve months were up, I left.β
This is what I admire the most: an artist steeped in tradition, a master of his craft, a designer and an artisan, a purist who can be whimsical at the same time, and all the while fiercely independent.