I could handle the watches as well and it is indeed a very different experience than from the pictures (as usual we may say).
I think also that people are waiting for something that wasn't the aim of the project from the beginning e.g. the super-perfect Nautilus we all dream of but that would create enormous issues regarding speculation, availability, vintage pieces interest and value (thus collectors' patrimony security) and especially how the recent catalogue pieces that would have suffered from a fantastic piece that would only have been produced at a few number of watches...
Btw,I disagree with the argument of these choices for financial returns as they could sell any other watch (they don't need diamond oe engraving to do that) and fix the price at the same level. They could easily for instance have decreased the price by a third (if they had chosen soemthing else than diamond) and sold a third more pieces without any problems and issue about the volume for such a demand.
So, IMHO, it is definitely a volunteer choice to go for this kind of material/size/decoration (gems). I will detail my thoughts on the way I see them aesthetically later as I'm preparing a post on that.
However, I think that, as I said before for several references, there are many customers whose tastes and visual habits are for bigger watches than the usual 38/40mm size. Hence, it is not a question of too big or too small but a totally subjective impression of how the watch looks on the wrist: some may find that 37mm is a maximum and others would find that 36mm is much too small.
About the price, it's been a while since I stopped thinking about their value as it depends on the demand pressure and, more generally speaking, when watches go over 20K€ they have to be considered for more than their intrinsic value as it is already a huge amount.
Your certainly remember the London exhibition very small 5 pieces editions: they were at least as much expensive as that.
The price policy in that sense is quite clever and good to me: considering these pieces will be very much sought after, especially for speculative reasons, and that a very few will be able to get one, it is quite frustrating for those who can't. Especially when some buyers get them ONLY for selling them after a few years (if not few months).
Hence, with such high prices, Patek says: "hey, you can buy it but I take from your the profit part you would have made during the first 5/10 years". Hence, a buyer can't make profit on the short term but only if he keeps it for a longer while (eventually). That's a good security imho. It means you take it if you really like it. If it is to resale fast, you can't.
About aesthetics I think that the engraving, thus more discreet is the element that wasn't necessary and that I regret.
Otherwise, the gems and the way they look on such a watch, for a watch that aimed to be "original" and not a standard 3700/5711 case is a good choice, in my opinion again.
I'll detail this later but thought I needed a little more time to think it over.
Thanks Patekova for sharing your experience after you saw them. I particularly liked the dial layout and colours of the 5976 but like also this "original" 5711P layoutwith gems that shine even less than diamonds btw. But not everyone's style.
So, to answer your question, I wouldn't get them but I'm happy they arrived like this. Remember that Patek doesn't want to focus the attention on a precise model/family. They want to keep the catalogue balanced in terms of attention. Hence, they made a little dial update for the 20th Annual Calendar anniversary this year, a little something for the 30th anniversary of the Nautilus and they didn't even celebrate the Calatrava (1932-2012).
Cheers, Mark