I wanted a strap that felt philosophically consistent with the Roger Smith rather than simply luxurious. The watch already represents an almost obsessive commitment to traditional craft and materials, so putting it on a conventional glossy exotic strap felt too easy.
Attila Aszodi made this strap using leather recovered from the wreck of the Metta Catharina, a Dutch merchant vessel that spent centuries underwater before its cargo was recovered. What I love about that is that the leather isn’t merely made in a historical style—it is historical material. Time has already acted on it. The texture, the unevenness, and the depth of color aren’t artificial patina; they’re the result of age and preservation.
That feels strangely appropriate on a Roger Smith. Both objects are expressions of durability and human labor. One was made to survive generations; the other already has.
Visually, the strap works because it softens the formality of the watch. The Series 1 can become almost too perfect if paired with a pristine shell cordovan or polished exotic. The Metta Catharina leather introduces warmth and texture without competing with the dial. It makes the watch feel less like an untouchable artifact and more like something that belongs in the world.
I like that there’s a quiet contradiction in it: a modern English watch worn on leather that predates modern watchmaking entirely.
