quattro[Moderator]
18141
An unexpected newcomer
A few weeks ago, thanks to a friend whom I thank wholeheartedly, this little marvel, the Grand Seiko ref. SLGW005, found its unexpected way into my collection.

THE 45GS
credit: Special Dial
THE CASE
The first thing I love about the 45GS and its faithful modern re-creation, the SLGW005, is the very subtly angular case designed by Taro Tanaka.
credit: Wadokei
I would call this design "
simple,
understated sophistication" as it comprises many
details and
refinements that only the attentive eye notices, blending into a harmonious and discreet whole.

The
Zaratsu-polished
faceted lugs feature
multiple angles and are both separated and linked by a
brushed section.

The polished
reverse slanted bezel stands out from the mid-case while blending in harmoniously.

The
case is made of
three separate parts: bezel, mid-case and case back.

The
faceted lugs are one of the most distinctive and successful elements of this design.

The subtle
contrast between the
flat boxed sapphire crystal and bezel and the
very slightly arched case is also very appealing.

And the
signed crowned with its
relief polished logo against the
grained surface is another delightful element.
As well as the
semi-recessed crown.
THE FIT ON THE WRIST
The 38.8 mm diameter case with a 43.7 mm lug-to-lug fits perfectly on my 16 cm wrist.

The
10.4 mm
thickness is slim enough and I like the
19-16 mm
size of the
strap.

In real life, the lower part of the case isn’t visible and, contrarily to what this photo could let one think, the
case always
feels very well integrated to the wrist.
THE BUCKLE
Though not as understated as the rest of the watch and not my favorite part of it, the buckle, with the polished Seiko logo embossed in relief over a stamped, dimpled surface, is quite nice.
THE MOVEMENT
The high-beat (36,000 beats per hour, 5Hz) calibre 9SA4 is another great feature of this watch.

I know that it’s a debatable point, but I personally like that, unlike previous Grand Seiko calibres, it’s
aesthetically styled as a Swiss movement. Why? Simply because I love this traditional Swiss aesthetic.

The
click shaped like a
wagtail, a bird which is symbolic of Morioka city near the Grand Seiko Studio Shizukuishi factory, is a delightful touch.
And the
winding experience is one of the most pleasing I know, whether from a
tactile,
visual or
auditive perspective.

The
blued hand of the 80h
power reserve indicator is also a very nice feature.

The
laser-etched Grand Seiko
lion emblem is
almost invisible on the back sapphire crystal, but can be seen from certain angles.
THE DIAL
The silvery-white or white eggshell double signed dial is the last element which deserves to be mentioned. It features a slightly metallic, almost pearlescent, fine-grained texture.

The
Seiko logo is
applied and, at 12 o’clock, sits the distinctive
double index.

The
applied baton indices are cleanly
diamond-cut with
facets that easily
reflects light for great legibility.

The
hands are also nicely
faceted.

And, at 6 o’clock, are the
applied GS logo, the
Daini Seikosha factory
lightning bolt logo and in-between, the “
Hi-Beat” and “
36000” designations.
All these elements make for a perfect "simple" time-only watch.
THREE RE-CREATION TIMEPIECES
As a conclusion, I would like to mention that, together with the Patek Philippe Chronometro Gondolo (5098P) and the Vacheron Constantin Cornes de Vache (5000H/000R-B059), this Grand Seiko (SLGW005) is my third modern watch which is a direct recreation of a model from the past.

The
main element differentiating them from their source of inspiration being the fact that they feature a
see-through case back and a very
refined and
gorgeous looking movement.
And, whereas the 5098P is a 2007 recreation of a 1925 watch and the Cornes de Vache a 2015 recreation of a 1955 watch, the SLGW005 is a 2024 recreation of a 1968 watch.
Thanks for reading.
Best, Emmanuel