Well, this hasn't been a great year for new watch purchases, so I'm mostly appreciating the pieces I have the good fortune to own! Got out the light tent today and had some fun photographing PSM Shimoda RG #1:


The dial photo is actually a composite of four images, merged together using PS CS4's "auto blend" function that allows expansion of DOF by merging photos with different focal points. I'm looking forward to playing with this capability more!
Best,
Gary G
I did think of you as I was taking and posting these photos, wondering if you would comment on them -- didn't take long to get my answer on that! Glad you enjoyed the photos, and thanks for the note -- as always, great to correspond with you.
Best,
Gary G
Still some imperfections to work out, but I'm pretty pleased with these as first photos using the new CS4 capability. In my prior light tent work, I've been using very small apertures to maximize DOF -- which in turn requires long exposure times and/or going up on ISO.
I'm also really pleased with the work that Nikon did when I sent my camera in a couple of months ago complaining of soft focus on all lenses -- I think that they either changed out the sensor or re-aligned the existing one, as the parts of an image that are in focus are now super-sharp, just the way I like them.
Looking forward to seeing you soon!
Best,
Gary
...'capture' of the Shimoda seen to date. Enough to make you want to rush out and buy one! ;-)
Great work Gary - thanks.
Cheers,
pplater.

Appreciate your note -- I too love the simplicity of this piece, and also find that I can read the time with good precision given the railroad track scale and finely pointed hand.
As for CS4, I upgraded from CS3 primarily to get full PS functionality for my new Leica D-Lux 4. A bit annoying how Adobe doesn't make prior versions compatible with new cameras as they come out! I saw recently that it won't be long until CS5 is introduced -- I hope that there aren't any super new features in it that I just "have to" have!
Thanks again for the kind words.
Best,
Gary G
Thanks -- Once I saw this type of engraving on another of Peter's watches I knew that I had to have it. When I first saw this watch it had circular brushing on the entire plate. Peter had it in the US on carnet (for display only), so he had to take it back to Switzerland in any case -- and if I recall properly he still needed to do final timing as well.
Another benefit of waiting a bit for the watch was that Peter re-polished the hand and then re-oxidized it to a beautiful violet color. I had admired the wonderful purple hands on the Foundation Watch, and Peter took it upon himself to replicate the finish for me! It's not entirely apparent in my photo (in fact I've never been able to capture the color of the hand very well in pictures) but in person it's a knockout.

Your Serpent in the photo? That's another favorite of mine...
Best,
Gary
What my wrist sees when I'm looking at the face:

Love that black-polished rotor!
Best,
Gary G
Peter's been pretty generous with his use of the number 1 -- applying it to each metal of each design. So, there's a number 1 Shimoda in SS, RG, YG, and (not sure, but probably) WG. Then the serial numbering goes up from there within each metal. For some of the Piccadilly's there may even be number 1s for mixed metals (e.g., SS with RG stem and lugs).
The unique pieces are labeled as such, generally with the notation "1/1"
Hope that helps!
Best,
Gary
that rotor is truly amazing...
I did not realized it was black polish until you pointed it out.
congrats for acquiring a stunning watch!
Peter's rotors are a highlight (to me) of his watches -- the level of finish is really excellent, and the shape is immediately recognizable.
Best,
Gary
I assume this is the mystery rotor, and I correct?
How would this rotor wind? I've never seen a mystery rotor in action and would love to know.
Appreciate the positive feedback! I still have some work to do on my technique with the PS blending method, but I am pleased that these photos represent the watch as seen "in the metal" fairly well.
With warm regards, as always,
Gary
...as well as other variations in the time only Piccadilly line.
Thanks Gary for the beautiful photography. Your Shimoda is so lovely. I'm glad that Peter redid the hand for you, and you also chose to have the back plate engraved.