Grönefeld One Hertz Caliber G-02 Bridge Finishing
Manufacture

Grönefeld One Hertz Caliber G-02 Bridge Finishing

By monochrome · Dec 5, 2010 · 35 replies
monochrome
WPS member · Independents forum
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Monochrome's detailed photo essay offers a rare, behind-the-scenes look at the meticulous process of finishing a movement bridge at Grönefeld's atelier. This piece illuminates the intricate craftsmanship involved in haute horlogerie, specifically focusing on the Grönefeld One Hertz caliber G-02. Readers gain a deeper appreciation for the blend of artistry and precision that defines independent watchmaking.

Finishing a movement is not only done to show it’s beauty, but it also positively affects the movement's rate and lifespan. Although I’ve been interested in watches for quite some time, I’ve never seen what it takes to finish a movement part to a very high degree.

Recently I visited Tim and Bart Grönefeld in their atelier. They had just picked up the unfinished bridges of their new movement, caliber G-02, which they developed themselves. Let’s take a look at the finishing of one bridge of the new Grönefeld One Hertz’s caliber G-02.



After a design process of many months, it’s an exiting moment now the first parts have arrived. It’s finally time to start working on the new One Hertz. I’m absolutely thrilled about the new Grönefeld One Hertz with its independent dead beat seconds complication.

Bart Grönefeld showed me every step in the process of finishing a bridge.



The photo above shows an unfinished bridge, the way it comes from the manufacturer. The Grönefelds have chosen for stainless steel bridges, which is quite unusual as far as I know. Usually bridges are made of brass or German silver.

After the CNC process the bridges are laser engraved. The heath of this process is responsible for the different colors of the unfinished bridges. After being treated with an acid, the discoloration disappears. Than the bridge is screwed on an unfinished mainplate to get a stable bridge to work on.



First the bridge is brushed, to eliminate small parts. The following step is removing burs around the holes.




This has to be done on both sides of the bridge.



After deburring the bridge looks like this.



Now it’s time for micro blasting, which smoothens the surface.





After the micro blasting the bridge is cleaned in an ultrasonic cleaner. Here’s the result of the front and backside.




Now the part start, that makes most of us really happy… the angling! Anglage truly makes the difference on a hand-finished movement.
The first step in angling is done by a very fine file or by wood. Which tool is used, depends on the shape of the edge and the material of which the bridge is made of.



Using the file on the round edges is impossible, so this is done by this tool (don’t know what it’s called) with a wooden pin.



And another part is done by a very fine, curved wooden file.




The next step in angling is to polish the angled sides to obtain the beautiful shiny anglage. This is done with felt.

Bart explains the angling he does makes the angles round, so the reflection of the light is more beautiful.



And after all edges have been polished, the holes also have to be polished.



Now the bridge is screwed on the unfinished mainplate that functions as a good bridge-keeper during the finishing process.



The flat parts also have to be polished…



Check, double check… This is done during the whole process, over and over again.



A bit more…



And Bart Grönefeld is done. At least with one of the bridges. The entire process took 3 hours and there are 9 bridges. If more bridges are finished this reduces the process to roughly 2 hours for each bridge. And this is just for the bridges!

Hand finishing a movement requires skills, a steady hand, knowledge and patience. Massive amounts of patience… But the result looks fabulous.




My sincerest thanks go to Tim and Bart Grönefeld for taking the time to show me how a bridge is finished. I'm absolutely looking forward to seeing more of this movement and of course the entire watch when it's ready.

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The Discussion
DO
DonCorson
Dec 5, 2010

Thanks for the great report Frank! Don

GR
grigo
Dec 5, 2010

These are the reports I like the most. I can't wait to see the finished product. I alos hope that there will be more reports updating us on the advancement of the watch manufacturing process. Best regards, George

G9
G99
Dec 5, 2010

its amazing to think that you can file and polish metal with wood. you learn something new every day. thanks again Graham

GE
Geo
Dec 5, 2010

Cool to read finally some more about the One Hertz and see these interesting pictures Do you have any idea when and where the watch will be officially presented and we will see some life shots of the finished product? GEO

DO
DonCorson
Dec 5, 2010

Hi Graham, It sounds strange, but you always use something softer than what you want to polish as a substrate. The polishing medium itself, like diamantine, which is aluminum oxide, is quite hard. Imagine you want to polish steel. You take the diamantine slurry, smear it on a brass or bronze substrate, and then apply that to the steel. The diamantine gets driven into the surface of the brass and stays put there, the tips of the pieces of diamantine then do the polishing of the steel. This is oft

FO
foversta
Dec 5, 2010

Like you, I saw Tim and Bart at the Salon Belles Montres and I took these pics: A test of new hands to improve the readability of the Tourbillon & Minute Repeater (GTM-06) watch: Movement is based on a Claret ebauche: I told them that the One Hertz movement is like a flower about to bloom. what do you think about this idea ? As always, it was a great pleasure to meet Bart and Tim: Thanks Frank for your post. Fr.Xavier

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