
In this insightful article, pfang56 offers an exclusive first look at Audemars Piguet's latest releases from Watches and Wonders, providing a collector's perspective on their design and material innovations. His direct comparisons with pieces from his personal collection offer invaluable context for understanding the nuances of these new references. This piece is essential for collectors seeking detailed impressions beyond official press releases.











The Audemars Piguet Royal Oak reference 15305 is a notable variant within the Royal Oak line, distinguished by its openworked dial and movement, offering a direct view into the intricate mechanics. This reference represents a more elaborate and technically complex interpretation of the standard Royal Oak, appealing to collectors who appreciate haute horlogerie and the art of skeletonization. It was produced in limited quantities, making it a less common sight compared to its solid-dial counterparts. The openworked design allows for an appreciation of the finishing and architecture of the movement, a hallmark of Audemars Piguet's craftsmanship.
The watch features a 39 mm case crafted from 18k yellow gold, maintaining the classic Royal Oak proportions. It houses the self-winding Caliber 3120, which is meticulously openworked and finished to expose its components. The movement provides a power reserve of 60 hours. A sapphire crystal protects the dial, and the watch is water-resistant to 50 meters, suitable for everyday wear. The fixed octagonal bezel, a signature element of the Royal Oak, is also in 18k yellow gold.
This reference appeals to collectors seeking a Royal Oak with an enhanced level of mechanical artistry and exclusivity. Its openworked nature sets it apart from more common Royal Oak models, positioning it as a piece that highlights Audemars Piguet's technical prowess in movement decoration and design. The 18k yellow gold construction further emphasizes its premium status. While not a double-signed piece as mentioned in the collector's post, the 15305 stands on its own as a significant openworked Royal Oak.
But I was pleasantly surprised that the Tourbillon pieces haven't really changed much in terms of pricing over the last few years. And, I understand they are relatively more available for earlier collectors, but your dealer may vary. But they do remain high for a sports Tourbillon model (significantly less than RM, but more than VC). As for the YG pieces, I agree they are much less competitive. I mean a YG chronograph or time only AP piece used to be under 25k, and now it's...a lot more! I must
Thank you so Much for this insight, Peter - it is very interesting, and What a Collection you have brought with you! Love the champagne coloured RO. I am in complete agreement with you in regards to the yellow gold chronograph; it seems a a bit devoid of spirit. The 11.59 series is really coming along! Thanks again! Eik
Yes - champagne gold is very elegant and I am totally crossing fingers they deliver this in other models like a double balance or a 16202? Can be an incredible material for many uses. Cheers Peter
A jumbo in this metal would be gorgeous! Perhaps an olive green dial as to accompany the more toned down metal? What colour would complement the champagne-like colour? Salmon perhaps?
Exciting combinations. I have no idea but I like the idea of Salmon, Ivory, Monotone, and even a proper black with some nice markers. Time will tell! Peter
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