Offering a slimmer and more reduced interpretation of the DeWitt identity, the Twenty-8-Eight collection gains tremendously with the introduction of Neotitanium.
NOVELTIES:
- Twenty-8-Eight Automatic
- Twenty-8-Eight Seconde Retrograde
- Twenty-8-Eight Tourbillon
- Twenty-8-Eight Tourbillon Squelette
We somehow missed taking pictures of the first two models, but the other two novelties shall make up for this.
Tourbillon
Technically identical to the existing Twenty-8-Eight Tourbillon, the addition of a Neotitanium Bezel and case back immediately highlights the aesthetical finesse brought about by the intelligent use of the material: it’s a black hole for any light, sucking up the tiniest bit of it.
As a consequence the masculine Art Deco effect of the vertical columns on the dial, resembling a powerful 1930’s steam engine, is accentuated. The lower part of the dial opens up into a large and beautiful circle symbolising wholeness, the infinite nature of energy and... the power of the feminine.
The watch also appears much slimmer, particularly due to the impression of an apparently reduced distance between dial and crystal.
Also on the wrist it makes a restrained impression:
The watch is powered by the in-house tourbillon movement Cal. DW8028, beating at a classical 18,000 vph and providing 72 hours of autonomy. The escapement is regulated by a variable inertia balance and a Straumann Hairspring® with Phillips end-curve. A plate with the signature of the watchmaker gives an additional personal touch:
We would like to note that the watch is technically identical to
DeWitt’s special edition in honour of the PuristS’ 10th anniversary .
Tourbillon Squelette
Featuring the same movement as above, the Tourbillon Squelette is an entirely different animal. Skeletonising work is done such that the 3D-aspect is emphasised and the admirer (or owner?) is invited to literally ‘dive’ into the watch:
Depending on illumination, the watch’s design shows its metamorphic qualities in that either the case or the movement it brought out:

The glossy-polished inner bezel draws your attention to the heart of the watch, the circus where a captivating play of layers is staged, within which the tourbillon acts as regisseur:
What is noticed easily is the DeWitt logo integrated into the movement plate’s remains at the 9 o’clock position.
It finds its counterpart on the back side of the watch, adding thus to the play on depths, perspectives and layers:
The movement plates are executed in a sand-brushed nickel silver base with black gold surface finishing.

Another neat feature is the open-worked barrel housing. The upper wheel is designed like the rims of a vintage car’s steering wheel. Moreover, it allows gauging the power reserve of the watch, from fully wound…
… to almost depleted:
Impressive as well is the precision that is applied with the engraving of the base plate:
On the wrist the watch just feels right in place. In fact, it is simply due to the very carefully conceived balance between complexity and richness of detail that such a watch does not overwhelm. Chapeau Mr de Witt!