
foversta's review of the Girard-Perregaux Traveller Moon Phases and Large Date offers a critical examination of GP's new case design and its strategic implications for the brand. This article provides valuable insights into how a new case can redefine a manufacture's aesthetic and market position, making it relevant for collectors interested in brand evolution and design philosophy.







The Girard-Perregaux Vintage 1945 line, introduced in 1994, draws inspiration from historical models, specifically a 1945 Art Deco piece. This collection is characterized by its rectangular or tonneau-shaped cases and a design language that evokes mid-20th century aesthetics. The Vintage 1945 series quickly became a cornerstone of Girard-Perregaux's offerings in the 1990s, reinterpreting classic forms with contemporary watchmaking standards. It represents a significant period for the brand in re-establishing its heritage-inspired collections.
Early models in the Vintage 1945 series typically featured stainless steel cases, though gold variants were also produced. The case dimensions varied depending on the specific model, often presenting a balanced profile suitable for dress wear. These watches were frequently equipped with automatic movements, showcasing Girard-Perregaux's in-house capabilities or finely finished outsourced calibers. The crystal was commonly sapphire, ensuring durability and legibility, while water resistance was generally suitable for daily wear rather than aquatic activities.
For collectors, the Vintage 1945 series appeals to those interested in neo-vintage watches that successfully blend historical design with modern execution. The 1994 introduction year marks it as one of the earlier and more influential lines from Girard-Perregaux's resurgence in the 1990s. Its various iterations, including time-only, small seconds, and later complicated versions, offer a range of choices for enthusiasts seeking a distinctive rectangular watch with a clear lineage.
Thank you for beautiful pics and great info. I can't wrap my mind around GP's designs. I always think that they are a sleeping giant, but need some grand vision, something unifying. For instance, how do these watches draw on any rich GP history or tradition? Not so much, in my view. I do like the new rotor, but that seems not enough. I WANT to love GP, because they aren't PP, VC, JLC, AP, Lange, the usual suspects... But why these hands? Why this case? I could go on. I hope for great success for
You are pointing out a key point: the story telling. Each brand must have a story to tell. Things are very complicated for GP arond this topic despite a lot of skills at the manufacture. They lack IMHO one or two true iconic watches. The 3 ponts d'or can play this role but we are talking about expensive watches. On the other hand, this Traveller is brand new. So maybe it will write interesting pages of the GP story in the future. Fx
The Moonphase / Large date is not my taste at all. First it wants to be cool, and dressy. And ths weird cocktail doesn't work, here. The dial is much less inspired than on the former Laureato. It looks empty, and somehow lost in this case, which is big, thick, and well, whose style seems to contradict the dial. And these crownguards are not a propos, either. Honestly, a no go for me. Best, Nicolas
and I think I also know a bit your tastes so your comments are not surprising to me! It is the reason why I understand them perfectly. Honestly, I was pretty convinced by the watch and GP was lacking in the collection this type of case. But 44mm are too big in the 2013 context IMHO and especially when I see that they develop not so large movements (ie the new chronograph movement whose diameter is between 26/27 cm if I remember well). I just hope that this case will meet success, GP is a brand a
And I am pretty sure they will. They have some strong products, already, like this very interesting manual Chronograph. Come on, GP, make our day! ;) Best, Nicolas
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