halgedahl
1333
While presently skeptical of such sentiment, I do like your positive faith in a truly great company. All of us here wish the best for Seiko.
Apr 05, 2019,06:55 AM
On another forum I wrote a wail when the autonomy of Grand Seiko was first announced. I'm still doubtful of the wisdom of converting a premium "line" to a stand-alone "brand." Especially considering the fact that Seiko already had Credor. (Ananta seems to occupy a space not unlike Grand Seiko, as SEIKO appears as the primary brand on the dial. I'm an ignoramus, though, on such matters of hierarchy. Help us out here, Mike!) And this year's move to new case shapes and dial configurations, to me, points in the direction of an attempt to distinguish Grand Seiko cosmetically, rather than where it really counts—mechanically.
As a musician, I'm reminded of a standard by which some of us professionals judge new conductors of the world's great orchestras, or new soloists who join the precious few who are invited to stand in front of them. And the test is simple: is what we are listening to in some way uniquely beautiful? Or is the performance at hand misshapen in some way in the name of "individuality?" Is the tone truly special? Is dynamic shading so subtle as to call attention to an underlying harmonic structure hitherto unrecognized? Or is this a disastrous "new" interpretation of a great work from the standard repertoire. For there is a remarkably narrow channel in which these works "live." Push the walls too far and their beauty is overshadowed by how far their interpreter has ventured from an established norm. I think of Grand Seiko as one of those established works of proportion. Push too far and you really ought to call the result something else. For, while there are great NEW works of art, Beethoven (to be wildly complimentary to Grand Seiko), remains Beethoven.
At this point, what I've seen from the new, autonomous, Grand Seiko veers toward the superficial, rather than more exquisite realizations of its already established identity. If you wish a reputation that rivals a JLC or Vacheron, then improve what others fail to, introduce new complications, put more (literally) into your product to impress those who actually understand how watches work. Do not allow world-wide praise for your dials to go to your head. Why do people with the money to do so buy from Independents? Sure each must have its look, and that individuality counts for something. But I'd argue that grand Seiko already HAD a look. Past that, it's what's inside—how beautifully each mechanism "sings"—that attracts savvy buyers. Oh… what do I know? I'm just a fiddle player. I guess you chalk these new releases up to "growing pains." I suppose I can see it them that way. But they worry me. I feel that something I really valued is being compromised. Fingers crossed, here. FH