Discuss ...

To answer that question we need to know who has been ordering Grand Sonneries from F.P.Journe!
And if history repeats, Mr Journe will manage too slip out the back door when the revolution comes.
A

Hi Nicolas. Not sure who said this, but the similarities between Breguet and Journe are bandied about occasionally.
I am interested in your comments one way or the other. You can approach it from any direction you like: watch design, business approach, comparison with other manufactures, horological position, family background, horological education, etc....
At the very least it might give FPJ a smile!
A

Perhaps he will get a laugh rather than a smile, Nicolas? It will not be Mr Journe comparing himself with Mr Breguet (see also Marcel’s comment above) but rather, I suspect, journalists and enthusiastic salesmen!
Invenit et Fecit ” (Latin: invented and made) apparently relates to inscriptions on pocket watches produced by French horologers when their movements were recognised as original by the Royal Academy of Sciences. Precisely how “original” these movements had to be to be so anointed I am not aware (but would be pleased if the horological historians amongst us could expand). But on the surface, the use of this inscription is another nice historical nod. How much it is based in reality is open to discussion.
The invention issue makes me ponder the question of what is left in horology to invent. Are we just seeing deckchairs being moved around now? Sure, there are new materials, new combinations of complications, variations on themes, such as multi-axis tourbillons etc., but have we pushed mechanical systems about as far as they can go? What will come next? Will we be happy to see (unholy) mechanical-electronic hybrids that combine the best of both worlds, or will we hang on to traditional horological (mechanical) values? But I digress …

Thanks Patrick, always interesting to read your thoughts. In some ways it is unfair to compare any modern individual with historical figures as history fills in so many relational details.
The impression I get is that A.L. Breguet was innovative in his watchmaking (self winding mechanisms, parachute shock protection, constant force escapement, overcoil, gongs for minute repeaters, wrist watches, and of course the tourbillon), aesthetics (offset dials, unique hands, numerals, etc) and business practices.
Where I do see similarities are that both the watches of F.P. Journe and A.L. Breguet rely on the vision of one individual. Both these men’s watches have a distinct design aesthetic. You can argue, correctly, that ALB was more innovative in his mechanical engineering, but I think it is hard to go back to this golden age of horological invention. Personally I am content to see reimagining and reinvention from my horological companies if it brings a new way of looking at time and new and interesting designs.
Andrew
Hi Jed,
Thanks for your candid comments. Of course my intention is always to promote interesting discussion and not unnecessary or undue criticism.
The link between ALB and FPJ has been alluded to previously by others, but I don’t believe critically examined in any forum. So my intention was to tease out what similarities and differences there are in the men, their companies, and the watches they produce(d). As they were (are) both men of their times, there are limits as to how far this can be taken. The weight of history sits on Breguet’s shoulders, adding another layer of complexity.
I was also hoping to learn a little more about ALB’s business practices and approach. He is said to have been a very shrewd businessman, steering his company through some tumultuous times in history. I think the Journe Company has also trodden an interesting road of independence and vertical integration on many levels, including the use of Boutiques, over the last decade.
In retrospect I should have asked this as a “Hypothetical” rather than an “Essay Question”. The thread was worth it, however, to draw out Marcel’s quote from FPJ: “… if Abraham Louis Breguet were alive today he would be inventing interstellar spacecraft”.
Kind regards as always,
Andrew
.... although I am SO biased. Anyway. As already stated there are clear parallels in a single individual creating a strong brand identity and aesthetics and staying true to himself and his vision through a period of long success. Designing the movements himself not by committee or outsourcing. Also a tendency to not rest on his laurels but keep developing the vision further, such as retiring the first commercial version of the tourbillon and replacing it by the current version with the seconde morte, or now with the Resonance.
Although I not really qualified I would be very surprised if Journe would really not be, by a judgement of experts, a creative inventor as well. His watches have regularly fetched numerous prizes as major achievements by juries of his peers (Grand Prix d'Horlogerie etc). Just as in most culture creation happens in the context of what went before the balance shifts from creation to (containing a component of) re-interpretation.
At least for the Resonance, which I have recently spent some time trying to understand and more fully appreciate, I believe this to be a major achievement in terms of invention and no just a re-creation. It is true that Huygens discovered Resonance in clocks and that Janvier and Breguet made Resonance clocks but to manage to do this in a production watch is a different thing, not just a recreation (in fact if our recent discussion is correct it may be a different physical principle in that air is the linking medium).
The most electrifying thing about the Journes for me, and that is entirely subjective but but very strong emotionally, is that they DO link back to Breguet and the 18th (and since they link back they are "less creative" than Breguet himself) but recreate some of the "spirit" of that time in a forward-looking way that I find merits the comparison.
Best
Andreas
Hi Andreas,
Thanks for these thoughts. I don’t mind biased opinions! Particularly when mixed with thoughtful commentary; that’s where the passion comes in.
And I completely agree with you about the emotion that Journe watches generate. I have seen the designs described as “retro-futurism” and to my eyes they fit comfortably in the Steampunk ‘movement’.
Whatever Journe is channelling, it is precisely this link with the past, firmly rooted in the modern day that I love.
Kind regards
Andrew