
The Frank Jutzi is far more interesting than the Chopard. I've owned the Chopard LUC Sport 2000 and it is a wonderfully made watch and a great value proposition, but it is not that interesting. The Frank Jutzi is a fairly classical looking watch but it has a unique charm, especially in the dial and hands; the movement is an ETA base I recall. The only downside is its size which is 35 or 36mm. If you like that size, I think it's a good buy, especially at the current prices they're going for.
- SJX
As has been alluded to already, the price at which it's selling for now is very compelling and is a big factor in its favour. I can't think of another independent of this quality at this price.
I would concern myself with the 2892 base, there are less interesting watches selling for far more.
In person it has a quiet quality that is only evident on examination. It is not a flamboyant or obvious watch. Over the long run it would probably maintain interest if you prefer more classical watches. If you are the Vianney Halter or MB&F type of person, this would not be exciting at all.
- SJX
..(which in itself is unusual!).
You write that: "It is not a flamboyant or obvious watch. .... If you are the Vianney Halter or MB&F type of person, this would not be exciting at all" .
Speaking as someone who would also tick the Halter/MB&F boxes every time, this watch is, in its own way, quite 'subversive'; idiosyncratic. You know the piece, so you will know what a welcome surprise awaits when you see and feel the pseudo-traditional design in an ordinary round case, but with quite distinctive, almost avant-garde lugs - not entirely unlike the aesthetic tension in PSM pieces, but perhaps even more pronounced. Of course, you then factor in the post-modern hands (which honour the Goldpfeil logo but which 'work' independently of that fact), the placement of the outsize moonphase, the triangular orientation of the subdials and you have a piece which respects tradition, but which messes with its mind.
It is in that sense 'flamboyant' (you can be sure that it rarely goes unnoticed); it is more 'exciting' than very many of the Independents which tread the safe path; it shares a slice of history with Halter and, errrrr, costs less than an MB&F!
Goodness: after re-reading this eulogy it seems like a fine idea to seek out another one!
Cheers,
pplater.
God is in the details.... of the dial.
Great thoughts pplater, you make a lot of sense.
- SJX
It really is one of those watches that, as they say, you have to see in the metal to truly appreciate.
Take it from a ‘large’ individual and a fan of larger sizes – it wears larger than its size! That may in part be a function of its very open face and the fact that the lugs are so 'square' to the case, in a surprisingly contempoarary way. You don’t see it in pictures, and it is not uncomfortable, but it is a stylish modern quirk. The hands have a tint of French blue - peacock blue - that is almost iridescent. The eye for detail is remarkable (29.5 dots around the moonphase ring, for example) and the hobnail guilloche is finely executed – the previous custodian described the whole design as ‘deconstructed Breguet’ and his point is well made.
As a fan of the Independents also, it was necessary to consider which others might have been available in the same ballpark. This one pushed in ahead of the possibility of a Moser, a Pita or a Sarpaneva, for example: that should tell you something, shouldn’t it? There were several factors which weighed in that decision: the simple elegance of the watch (being more reminiscent of classical watchmaking, and therefore of ‘the craft’); the whole Goldpfeil ‘back-story’ of a privately commissioned and visionary series of pieces (now never to be repeated); the rarity factor (this particular piece, branded as a Jutzi, is apparently 1/1, but even the Goldpfeil badged pieces are few) and, frankly, the opportunity to give a good home to a piece by one of the less prominent (in watch terms anyway) AHCI members.
It was also the first regulator in the watchbox. That has taken some getting used to, but it's like seeing your own country before seeing the world, isn't it? Why pursue other eccentric or novel methods of telling the time before acquiring a regulator - the historical mainstay of the watchmaker's atelier and an important piece of regulating equipment?
Good luck with the decision-making process!
Cheers,
pplater.
...until the weekend it may be possible to organise some visual comparitors for you.
Cheers,
pplater.
The value is GREAT.
It's under priced.
The work is great.
It's a clock made into a watch in its purest sense.
The movt is "appropriate", and there are few works at the price today.
I am guessing that it costs way low in 2009.
The other piece to consider is the URWERK Goldpfeil.
that I saved in my hard drive a few years ago. Hope this helps in your decision making. Cheers!
Jutzi Blink..Blink... nice hah:
Jutzi and Urwerk that Bernard was talking about:
Daniel, here's a few 'quick and dirty' shots which might give you (and others) some sense of proportion for the Goldpfeil/Jutzi regulator moonphase, using a couple of reference pieces which may resonate for you.
You have mentioned your fondness for the Peter Speake-Marin 'Shimoda'. Here, then, is the Jutzi alongside the Shimoda:
The side-on shots are quite telling, aren't they? You mustn't underestimate the 'presence' [read: 'bulk'] of the Shimoda! Don't get the wrong impression: that is a large part of its appeal. In a similar vein, those lugs stretch out to the sides of the wrist. Quite a signature feature. The lugs on the Jutzi, by comparison, are shorter, lower but equally as 'square': they sit comfortably within the average wrist. Note how they carve a straight line through either side of the round case; a circle superimposed over a rectangle. Complementary tension. (This prose grows worthy of a J*D website!!).
Still, there's a PSM Picadilly Serpent on Collectors' Market at this very moment at a price that approximates the value of the pre-loved Jutzi. It's not the Shimoda, but it would be a tough call to pick between the two. However: Peter is a watchmaker and the Shimoda is one of his signature pieces - you will be able to obtain one for a while yet. Can the same be said of the watch which is a collaboration between a clockmaker and a (defunct???) luxury goods house?
For many, one of the definitive 'smaller' pieces which is highly wearable even in this larger watch climate is the original AL&S 1815. Remember that it is a very clean, open watch when considering the two alongside one another:
We have a mutual affection for this next piece, and as it is at the upper end of most people's watch diameter/thickness tolerance it should assist to see it alongside the Jutzi:
Here together are the three more 'conventional' pieces:
And for the top to bottom perspective:
It all comes down to 'wearability', though. doesn't it? Well here they are on the same wrist - form your own view!
Hopefully this may assist (not complicate!) the decision-making process. It would be interesting to read your thoughts. Again: good luck!
Cheers,
pplater.
This message has been edited by pplater on 2009-11-26 05:11:09
You have such a marvelous collection! The Shimoda is my favorite PSM, the 1815 is one of my favorites from Lange, the MIH is one of the best buys out there IMO, and the Jutzi is quirky and beautiful in its own right. Great watches all!
Cheers,
Daos
You're a great resource in that if we need real time side by side comparison, you're probably the one to call since you have practically every interesting piece ever made.
And you have to post your shimoda.. Gary's post on his was fantastic and your post now also brings my quest for a single hand watch up the ladder. It's between the Shimoda and the Pita.. two very different looking wacthes of te same expression of time I know...
Thanks for this comparo post.
Thanks for the kind words, wmf1, but any posting of a Shimoda is rendered obsolete by GaryG's top shelf photos of his superb iteration. Since Gary first began his quest to capture the special violet hand on his watch we have been treated to the first and last word on the topic.
Cheers,
pplater
This is not an obvious suggestion as it doesn't seem, at first, to play to any of the themes that appear to run in the collection that you have at the moment, nor the pieces you have parted with or the ones that you lust after.
You will certainly know the brand but you may not have considered it. It has this going for it: Independent; small volume; demonstrably hand made; very attractive (if familiar) movement; comparatively inexpensive; larger size; quite good level of finish; customisable to a degree; robust; dress up/dress down; well supported but well represented in the secondary market. It is any one of the Dirk Dornbluth pieces. This is the 99.0:
There are several other models and a wide range of case/dial/hand options. You probably know that fellow Purist Douglas Glickman maintains the definitive Dornbluth aficionado site: he has much to offer in terms of opinion on the brand and the watchmaker. There is no hotlink here out of respect for forum rules, but you will know how to find 'glickman'.
Cheers,
pplater.