Owning a Patek has been at best a pipe dream for much of my adult life. Every so often I would peer at a window display, pick up a catalogue or visit this fine forum to learn what I could about the designs or calibers. The complicated timepieces are a marvel, but I have always known that a classic piece with a basic movement is more my style. This much I realized 12 years ago when I came across a vintage Patek for sale in a New Orleans antique store (forgive me, I did not have the vocabulary then nor the recall now to describe it appropriately).
This week I decided the time was ripe to get a decent dress watch to complement my IWC Spitfire Fliegerchronograph. That watch has served me well as an all purpose wearer, and was the first decent watch I could afford. I spoke to a few vendors about Franck Muller, Vacheron Constantin, Breguet and, of course, Patek; with the notion of finding a moderately sized tonneau, tortue or tank design. The modern designs are either too big for me or beyond my budget. Therefore, I began looking at pre-owned offerings which suited my preference anyway. I tried on a few classics in the various brands and found myself drawn to the Patek Philippe rectangular wristwatches of the 1930s through 1950s. Then I read some of the posts in this forum by
watch-guy.com and ThomasM on the calibre 9-90 movement and the cases they complemented. My mission thus became to find such a watch in good condition.
So, today. I found a local vendor who listed a Ref. 425 in rose gold, apparently in exceptional original form. The pictures on the Internet looked promising but I had to see it myself; not to buy right away but to give me some perspective. Well, upon seeing it I knew I had to own it. The face looked really clean with applied Roman numerals at 12, 2, 4, 8 & 10; the crown had the Calatrava Cross (which did not seem to fit the period, but fit the watch nicely -- the vendor insisted it was original to the piece though I was not convinced); the case was in great shape and had no names or monograms on the back; and the brown leather strap and buckle seemed authentic.
I asked the proprietor to open the case so I could inspect the movement. Everything looked right by my amateur eyes and I wrote down the serial numbers. A quick glance at my smartphone to view ThomasM's survey confirmed it was produced in the 1934-1950 period. I then looked for the Geneva seal and assumed that I found one. Next, I studied the inside of the casing to confirm official Patek Phillipe stamping. I was convinced, so negotiated a price for more than I wanted to spend but fair if I had the genuine article. The vendor advertised he had the original box, but said he'd have to look for it; no promises. Of course, no original paperwork.
After leaving the store I felt uneasy, so went to another vendor who I knew would do a proper appraisal and seek authentication from Patek. I asked him to be brutally honest with me. (1) He confirmed my suspicion that the crown was a replacement; (2) he felt the face was too neat, perhaps cleaned or redone, and the "Patek Phillipe & Co." lettering was flat compared to the raised embossing typical of the period; (3) he identified a stamp on the outside of the case next to the crown, which he said is a good sign; (4) next he opened the case to inspect the movement and confirmed it as a genuine 9-90, furthermore identifying a double stamp of the Geneva seal (explaining this is good as it indicates chronometer precision); (5) he surmised that the movement's serial number places its production in the early- to mid-40s; (6) finally, he reviewed the inside of the front and back covers and said the numbers matched. On balance he said it is a fine watch, though warned of the possibility Patek would demure authenticating it if it is a stolen or missing watch.
I have two weeks to await their response.
In the interim, I ask for your general thoughts and unvarnished analysis of my new timepiece. (I will add pictures later as soon as I can figure out how to attach them.)