
Dan003's detailed observations on his new A. Lange & Söhne Zeitwerk sparked a technical discussion among collectors, delving into the intricacies of its unique digital display movement. His post highlights specific behaviors of the second hand and minute disc, alongside a subtle structural change in the movement, inviting experts to shed light on these fascinating details. This thread remains a valuable resource for understanding the Zeitwerk's engineering nuances.


There are several models of Langes that have this feature-the 1815 U/D (which I think was first); the Zeitwerk; the Richard Lange PLM; and the 1815 RPC; and most recently the revamped Lange 1. When Lange first released the U/D the press release indicated this feature. Since then, Lange has not advertised this feature-they just let the new owner find out for him/herself that the feature exists.
This finding is quite unexpected for me...Initially I thought it was just a coincidence that the second hand stop at the same position three times in a row..
I can answer to your second and third point. Lange probably made a subtle evolution of the mouvement recently (over the last 2 or 3 years may be. I can't tell you when exactly) which could explain your first point because with my Zeitwerk, you can notice a little move of the minute disc around 6 seconds before 60 seconds (or 12 o'clock). I would say it's an "upgrade" compared to mine. Cool! I hope you still enjoy it. As you can notice on my shots below, I have the same mouvement than Alex83 comp
The "arming" is a little side effect of how the mechanism was developed, and my little theory is that it may or may not be observable depending on how the tolerances are set for each Zeitwerk. To understand that, we need to understand roughly how the movement works first... If you want to see the arming occur on the movement side, have a look at this image (taken from Peter Chong's article of Zeitwerk): This is the mechanism under the "anchor" steel bridge you see on the Zeitwerk movement. Its h
And the people explaining the movement features must surely be crazy too. I'm a university professor of psychology - I know crazy when I see it. Thomas
I wrote to Lange and got the confirmation that it was not a coincidence!
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